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Monday, January 2, 2012

Catherine the Great : portrait of a woman

View full image by Robert K. Massie. The popularity of Massie's biographies of Russian czars presages a comparable reception for his presentation of Sophia of Anhalt-Zerbst, as Catherine the Great was originally named. She appeals to readers for several reasons. Those interested in the expansion and development of the Russian Empire under her reign (1762-96) can delve into her conduct of war and diplomacy, cultivation of Enlightenment notables, and attempted reforms of law and government. And those fascinated by the intimate intrigues of dynasties will find an extraordinary example in Catherine's ascent from minor German princess to absolute autocrat of Russia. Court life is Massie's strong suit, though, which he develops with a well-referenced thoroughness that begins with Catherine's own account (The Memoirs of Catherine the Great, Mark Cruse, ed., 2005) of surviving palace politics as consort to the eccentric and disliked crown prince, Paul. The memoir, which suspends in 1758, alludes to another aspect of Catherine that tantalizes royalty readers, her liaisons with courtiers, most famously, Grigory Potemkin. Massie's treatment of them proves sympathetically perceptive to Catherine's warmth and her estrangement from them, humanizing the real woman behind the imperial persona. Written dramatically and almost visually, Massie's Catherine may attain the classic status that his Peter the Great (1980) and Nicholas and Alexandra (1967) already have. --Booklist (Check catalog)